Web oficial de la Fundación Juan March


General texts

ALBERS, Josef. Interaction of Color (New Haven: Yale University Press, 1963)

BIPPUS, Elke. Serielle Verfahren. Pop Art, Minimal Art, Conceptual Art und Postminimalism (Berlin: Reimer, 2003)

BRÜDERLIN, Markus (ed.). Postmoderne Seele und Geometrie. Perspektive eines neuen Kunstphänomens. Trendsetting oder Paradigmenwechsel, Kunstforum International, no. 86 (1986)

DICKEL, Hans, “Minimal Art und Arte Povera”, Kunsthistorische Arbeitsblätter, no. 2 (2005), pp. 31-36

FER, Briony. The Infinite Line: Re-making Art after Modernism (New Haven: Yale University Press, 2004)

HAFIF, Marcia. „Beginning Again“, Artforum, September (1978) pp. 34-40

KUSPIT, Donald, “New Geo and Neo Geo”, Artscribe International (London), no. 59, (September/October 1986), pp. 22-25

LODERMEYER, Peter, Personal Structures. Symposium. Ludwig Museum, New York: GlobalArtAffairs Publishing (2005)

MARZONA, Daniel. Minimal Art (Cologne: Taschen, 2006)

MEYER, James (ed.). Minimalism (London/New York: Phaidon Press, 2000)

MEYER, James. Minimalism: Art and Polemics in the Sixties (New Haven, Conn.: Yale University Press, 2001)

PAUEN, Michael, “Die Ästhetik der Reduktion”, Zeitschrift für Ästhetik und allgemeine Kunstwissenschaft, no. 43 (1999), pp. 153-173

RORIMER, Anne. New Art in the 60s and 70s: Redefining Reality (London: Thames & Hudson, 2001)

WIEHAGER, Renate (ed.). Minimalism and After. Traditionen und Tendenzen minimalistischer Kunst in Europa und den USA von 1950 bis heute. DaimlerChrysler Collection. Neuerwerbungen für die Sammlung 2000 bis 2006 (Ostfildern: Hatje & Cantz, 2007)

Exhibition catalogues

Konkrete Kunst: 10 Einzelwerke ausländischer Künstler aus Basler Sammlungen, 20 augewählte grafische Blätter. Max Bill (ed.). Kunsthalle Basel, Basel, March 18 – April 16, 1944 (Basel, 1944)

Four Abstract Classicists. Jules Langsner (ed.). Los Angeles County Museum in collaboration with the San Francisco Museum of Art, September 16 – October 18, 1959 (Los Angeles, 1959)

Adolf Hölzel und sein Kreis. Ein Beitrag Stuttgarts zur Malerei des 20. Jahrhunderts. Württembergischer Kunstverein, Stuttgart, September 8 – November 5, 1961 (Stuttgart, 1961)

Geometric Abstraction in America. John Gordon (ed.). Whitney Museum of Art, New York, March 20 – May 13, 1962 (New York, 1962)

A New Aesthetic. Barbara Rose (ed.). Washington Gallery of Modern Art, May 6 – June 25, 1967 (Baltimore, 1967)

Kompas 3. schilderkunst na 1945 uit New York / Paintings after 1945 in New York. Stedelijk van Abbemuseum, Eindhoven, October 18 – December 1, 1968 (Eindhoven, 1968)

Minimal Art. Lucy R. Lippard, E. Develing (eds.). Haags Gemeentemuseum, March 23 – May 26, 1968. (Den Haag, 1968). German edition: Karl Ruhrberg (ed.). Städtische Kunsthalle Düsseldorf, January 17 – February 23, 1969; Akademie der Künste, Berlin, March 23 – April 27, 1969. (Düsseldorf, 1969)

Das Bild einer Geschichte 1956/1976: Die Sammlung Panza di Biumo; die Geschichte eines Bildes, action painting, newdada, pop art, minimal art, conceptual environmental art. Germano Celant (ed.). Kunstmuseum Düsseldorf, September 19 – November 2, 1980 (Milan, 1980)

Minimal Art. Fundación Juan March, Madrid, January – March 1981 (Madrid: Fundación Juan March, 1981)

Radical Painting. Thomas Krens, Lily Weil (eds.). Williams College of Art, Williamstown, Mass., March 3 – April 22, 1984 (Williamstown, Massachusetts, 1984)

Die Sammlung Marzona. Arte Povera, Minimal Art, Concept Art, Land Art. Lóránd Hegyi, Egidio Marzona, Rainer Fuchs (eds.). Museum Moderner Kunst Stiftung Ludwig Wien im Palais Liechtenstein, Vienna, June 14 – September 17, 1995 (Vienna, 1995)

Minimalisms. Christoph Metzger, Nina Möntmann, Sabine Sanio (eds.). Akademie der Künste, Berlin, November 14 – December 20, 1998 (Ostfildern: Hatje & Cantz, 1998)

Minimal Maximal. Die Minimal Art und ihr Einfluss auf die internationale Kunst der 90er Jahre / Minimal art and its influence on international art of the 1990s. Peter Friese (ed.). Neues Museum Weserburg, Bremen, October 11, 1998 – January 10, 1999 / Kunsthalle Baden-Baden, January 22 – March 21, 1999 / Centro Gallego de Arte Contemporáneo, Santiago de Compostela, June 16 – July 4, 1999 / Chiba City Museum of Art, Chiba, April 10 – June 3, 2001 / National Museum of Modern Art, Kyoto, June 19 – August 5, 2001 / Fukuoka Art Museum, Fukuoka, October 23 – November 23, 2001 / National Museum of Contemporary Art, Seoul, January 20 – March 20, 2002 (Bremen: Neues Museum Weserburg, 1998)

Minimal – Concept: Zeichenhafte Sprachen im Raum. Christian Schneegass (ed.). Publication of symposium organized in conjunction with the exhibition Zeichnen ist eine andere Art von Sprache. Minimal – concept. Akademie der Künste, Berlin, February 21 – April 25, 1999 (Berlin, 1999)

Minimalia. An Italian Vision in 20th Century Art. P.S.1 Contemporary Art Center, New York, October 10, 1999 – January 2, 2000 (Milan: Electa, 1999). English translation of Italian exhibition catalogue (Venice, 1997)

Oskuldens århundrade – den vita monokromens historia /Century of Innocence – The History of the White Monochrome. Bo Nilsson, Åsa Nacking (eds.). Roseum Center for Contemporary Art, Malmö, September 16 – December 17, 2000; Litjevalchs Konsthall, Stockholm, January 27 – March 25, 2001. Malmö, 2000; Stockholm 2001

No es sólo lo que ves: Pervirtiendo el minimalismo. Marta González Orbegozo, Gerardo Mosquera (eds.). Museo Nacional Centro de Arte Reina Sofía, Madrid, December 12, 2000 – February 19, 2001 (Madrid, 2000)

Minimal Art: Minimal Art aus den Sammlungen FER, Froehlich und Siegfried Weishaupt. Götz Adriani (ed.). Catalogue published on the occasion of the exhibition Minimal Art aus den privaten Sammlungen im Museum für Neue Kunst. Museum für Neue Kunst, ZKM, Karlsruhe, March 17 – April 29, 2001 (Ostfildern: Hatje & Cantz, 2001)

Minimalismos, un signo de los tiempos. Marta González Orbegozo, Anatxu Zabalbeascoa, Javier Rodríguez Marcos, Tom Johnson (eds.). Museo Nacional Centro de Arte Reina Sofía, Madrid, July 11 – October 8, 2001 (Madrid, 2001)

Minimalism and After. New Acquisitions. Renate Wiehager (ed.). DaimlerChrysler Contemporary, Haus Huth, Berlin, February 8 – May 22, 2002 (Stuttgart: DaimlerChrysler AG, 2002)

Minimalism and After II. Neuerwerbungen. Renate Wiehager (ed.). DaimlerChrysler Contemporary, Haus Huth, Berlin, February 14 – May 18, 2003 (Stuttgart: DaimlerChrysler AG, 2003)

Pop Art & Minimalismus. The Serial Attitude. Klaus Albrecht Schröder (ed.). Graphische Sammlung Albertina, Vienna, March 10 – August 29, 2004 (Vienna, 2004)

A minimal future? Art as Object 1958-1968, Ann Goldstein, Lisa Gabrielle Mark (eds.). Museum of Contemporary Art, Los Angeles, March 14 – August 2, 2004 (Cambridge, Mass.: MIT Press, 2004)

Beyond Geometry. Experiments in Form, 1940’s to 70’s. Lynn Zelevansky (ed.). Los Angeles County Museum of Art, Los Angeles, June 13 – October 3, 2004 (Cambridge, Mass.: MIT Press, 2004)

Minimalism and After III. Neuerwerbungen / New Acquisitions. Renate Wiehager (ed.). DaimlerChrysler Contemporary, Haus Huth, Berlin, September 3 – November 28, 2004 (Stuttgart: DaimlerChrysler AG, 2004)

Specific Objects. The Minimalist Influence. Stephanie Hanor (ed.). Museum of Contemporary Art, San Diego, September 26, 2004 – September 4, 2005 (La Jolla, Calif., 2004)

Personal Structures. Werke und Dialoge. Peter Lodermeyer (ed.). Ludwig Museum Koblenz, Koblenz, March 3 – April 24, 2005 (New York: GlobalArtAffairs Publishing, 2005)

Singular Forms (sometimes repeated). Art from 1951 to the Present. Solomon R. Guggenheim Museum, New York, March 5 – May 19, 2004 (New York: Guggenheim Museum, 2004)

Formalismus. Moderne Kunst, heute. Yilmaz Dziewior (ed.). Kunstverein in Hamburg, Hamburg, October 9, 2004 – January 9, 2005 (Ostfildern: Hatje & Cantz, 2004)

Minimalism and After IV. Neuerwerbungen / New Acquisitions. Renate Wiehager (ed.). DaimlerChrysler Contemporary, Haus Huth, Berlin, July 29 – November 27, 2005 (Stuttgart: DaimlerChrysler AG, 2005)

Fast Nichts. Minimalistische Werke aus der Friedrich-Christian-Flick-Collection im Hamburger Bahnhof. Eugen Blume, Gabriele Knapstein, Catherine Nichols (eds.). Hamburger Bahnhof, Museum für Gegenwart, Berlin, September 24 – April 23, 2005 (Berlin: SMB-DuMont, 2005)

Minimalism and Beyond. Matthias Waschek (ed.). The Pulitzer Foundation for the Arts, St. Louis, Missouri, October 14, 2005 – April 26, 2006 (St. Louis, 2005)

Classical: Modern I. Klassische Moderne aus der Sammlung [DaimlerChrysler Collection]. Renate Wiehager (ed.). DaimlerChrysler Contemporary, Haus Huth, Berlin, April 12 – September 17, 2006 (Stuttgart: DaimlerChrysler AG, 2006)

Nichts / Nothing. Martina Weinhart, Max Hollein (eds.). Schirn Kunsthalle, Frankfurt, July 12 – October 1, 2006 (Ostfildern: Hatje & Cantz, 2006)

Museu Fundación Juan MarchFundación Juan MarchSammlung DaimlerChrysler