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Loewensberg's painting belongs to a series of works from the 1970s dealing with the movement of color and the rotation of form around a blank center. In it, the direction of the bands are developed against the affirmative emphasis of the square canvas in such a manner that the unity and dominance of external form is undermined by the stepped colored bands in the upper third of the painting. The constructive dissolution of the square – color penetrating form – stops at precisely the point where the “deformation” becomes obvious and effectively sets it floating.
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